A Journey of Non-Figurative Sculpture in Pakistan Developmental Course of Sculpture in Pakistan

Abstract

Aim of the Study: The objective of this research is to provide information on the development, relevance, and specific artists who have contributed to the non-figurative sculpting trend in the nation. This study tries to answer questions: What has been historical development of non-figurative sculpture in Pakistan, and how does it relate to contemporary art movements around the world?

Methodology: The context, content, and form of the non-figurative sculptures are examined in order to comprehend their communicative potential and visual language. Additionally, the works are placed within the backdrop of last seven decades' evolving social realities, which influenced sculptors' methods in a variety of ways. This study intends to shed light on the distinctive qualities and subjects investigated in non-figurative sculpture in Pakistan, as well as its reception and recognition within art community, using a combination of qualitative analysis and historical research.

Findings & Conclusion: It is concluded that the sculptors of Pakistan created non-figurative sculptural art among figurative representation through their innovative ideas and variety of techniques. The work of Anjum Ayaz features an abstract representation of domestic abuse in an artistic way.