Resistance and Reconstruction of the Black Self in Richard Wright’s Native Son: A Critical Analysis

Authors

DOI:

https://doi.org/10.71016/hnjss/jnzvv453

Keywords:

Resistance, Violence, Fanon, Colonialism, Slavery, Identity

Abstract

Aim of the Study: This study also aims to analyze Bigger’s character as an embodiment of violent resistance which helped to humanize black identity, avoid objectification, and remove indifferences.

Methodology: The critical and close analysis of Richard Wright’s Native Son significantly highlights that Wright's construction of the main character Bigger, a colonized black native engaged in the struggle for freedom and self-definition, subscribes to Frantz Fanon’s concept of violent resistance.

Findings: For Fanon, the use of violence when no option is available helps to build safety and freedom. Wright depicts the theme of violence to create Bigger’s black identity in a white-dominant American society where blacks are dehumanized and completely alienated.

Conclusion: Resistance encourages colonized and enslaved people to struggle and liberate themselves, transforming them from suppression, injustices, and unequal power relationships to freedom, equality, and self-esteem. The centuries-long plight of the African Americans and their resistance to liberation are worthy of representation in the literary world.

Author Biographies

  • Abdul Rahim, Quaid-i-Azam University Islamabad.

    PhD Scholar, Area Study Centre,

  • Manzoor Ahmad Khattak, ISRA University Islamabad.

    Assistant Professor of English, 

  • Hoor Shamail Khattak, Shaheed Benazir Bhutto Women University Peshawar.

    Assistant Professor, Department of English, 

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Published

2023-09-30

How to Cite

Rahim, A., Khattak, M. A. ., & Khattak, H. S. . (2023). Resistance and Reconstruction of the Black Self in Richard Wright’s Native Son: A Critical Analysis. Human Nature Journal of Social Sciences, 4(3), 297-304. https://doi.org/10.71016/hnjss/jnzvv453