Resistance and Reconstruction of the Black Self in Richard Wright’s Native Son: A Critical Analysis
DOI:
https://doi.org/10.71016/hnjss/jnzvv453Keywords:
Resistance, Violence, Fanon, Colonialism, Slavery, IdentityAbstract
Aim of the Study: This study also aims to analyze Bigger’s character as an embodiment of violent resistance which helped to humanize black identity, avoid objectification, and remove indifferences.
Methodology: The critical and close analysis of Richard Wright’s Native Son significantly highlights that Wright's construction of the main character Bigger, a colonized black native engaged in the struggle for freedom and self-definition, subscribes to Frantz Fanon’s concept of violent resistance.
Findings: For Fanon, the use of violence when no option is available helps to build safety and freedom. Wright depicts the theme of violence to create Bigger’s black identity in a white-dominant American society where blacks are dehumanized and completely alienated.
Conclusion: Resistance encourages colonized and enslaved people to struggle and liberate themselves, transforming them from suppression, injustices, and unequal power relationships to freedom, equality, and self-esteem. The centuries-long plight of the African Americans and their resistance to liberation are worthy of representation in the literary world.
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Copyright (c) 2023 Abdul Rahim, Dr. Manzoor Ahmad Khattak, Dr. Hoor Shamail Khattak (Author)

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